Singapore gay films
- 1 Introduction
- 2 LGBT-themed films
- 3 Films with LGBT sub-plots
- 4 Films with cross-dressing actors
- 5 See also
- 6 References
- 7 External links
- 8 Acknowledgements
In contrast to the numerous local theatre productions dealing with LGBT subject matter which have burgeoned since the late 1980s (see Singapore gay theatre), there was not a single feature-length film entirely produced by Singaporeans in Singapore belonging to this genre until Loo Zihan's production of "Solos" in 2007.
The culmination of efforts to redress this deficiency was witnessed on 6 October 06, when Singapore's inaugural, annual private LGBT film festival, "Short Circuit", was held at the Guinness Theatre at The Substation at 7:30 pm,. It was organised by PLU activist Alex Au and hosted by film director Boo Junfeng and writer Alfian Sa'at. It featured 12 short films that met the criterion of either being produced by LGBT individuals or having an LGBT theme (see main article: Short Circuit: Singapore's first LGBT film festival).
From 25 to 27 January 2008, cinema chain Golden Village (GV) organised "The Love and Pride Film Festival", the first commercial Singaporean film festival dedicated to international LGBT feature films. However, publicity was discreet and minimal and it showcased a modest slate of only 7 titles already cleared by censors and shown separately in Singapore cinemas in 2006 and 2007.
A 1995 Hong Kong-Singapore co-production about the lives of Singaporean transvestites in a bygone era. It was a minor hit at the box office on account of its R(A) (Restricted (Artistic)) rating and its nostalgic evocation of a seedy but colourful aspect of Singaporean culture, prior to the redevelopment of Bugis Street into a modern shopping district and the eradication of transvestite activities in the area.
16-year old Lien, winningly portrayed by Vietnamese actress Hiep Thi Le, is this Yonfan-directed, Jacky Tang-lensed and Fruit Chan and You Chan-co-scripted offering’s main protagonist. Despite her having worked for a time as a servant in a household whose "young master" adored her in her hometown of Malacca, West Malaysia, the young lass comes across as having led a surprisingly sheltered life. She journeys to Singapore to seek employment as a maid in the Sin Sin Hotel along Bugis Street.
She seems thoroughly content for a time to possess a naive, romanticised view of the rambunctious goings-on at the hotel where she witnesses "the sad departure of an American gentleman" from the home-cum-workplace of "his Chinese girl". The guest is actually a presently-sober but angry American sailor who has belatedly discovered that the Singaporean Chinese prostitute he picked up in Bugis Street and spent a drunken night with happens to be a transwoman.
Before long, the newbie employee Lien finds out that many of the long-term lodgers of the budget establishment, whose room rental rate is S$3, whether it be for an hour or the entire day and night, are "women" who were born with male bodies. Although her first reaction to seeing someone with breasts and a penis is one of vomit-inducing revulsion which causes her to contemplate fleeing the neighbourhood, she ends up not giving in to her impulses.
Instead, she listens to, then heeds, the warm cajoling of Lola, the transvestite hotel resident who has treated her well from the start of her stint. She comes to be unperturbed by the unique, complex personalities of the unorthodox community, who in turn also begin to accept her.
As she learns to look beyond the surface, she is rewarded with the generous friendship of the cosmopolitan and sophisticated Drago, who has returned from Paris to minister to his/her dying but loving and tolerant mother.
While Lien learns the ways of the world via her encounters with Meng, the slimy, often underdressed boyfriend of Lola, as well as night-time escapades on the town with the Sin Sin Hotel’s other denizens, she begins to see beauty in unlikely places and to grow despite the presence of ugliness in an imperfect world.
Rice Rhapsody (alternative title Hainan Chicken Rice) (Chinese: ????, literally meaning Hainanese chicken rice) was a 2004 Hong Kong production directed by Kenneth Bi. The cast included formerly popular Taiwanese actress Sylvia Chang and celebrity Chinese-American chef Martin Yan. The plot revolved around a contemporary Singaporean divorcee grappling with the homosexuality of her 2 eldest sons and dramatised her efforts to steer her third and youngest son's sexuality.
It bombed at the box office and was panned especially by gay critics as being too artificial in its representation of Singapore life. (Read reviews of the movie by Yawning Bread, Charles Tan and Ken Lee: ; Fridae article:). <youtube>mF1NCQZomc4</youtube>
Based on the true story of Thailand's famed transgender kickboxer, Beautiful Boxer is a poignant action drama that punches straight into the heart and mind of a boy who fights like a man but feels like a woman.
Believing he is a girl trapped in a boy's body since childhood, Parinya Charoenphol (affectionately known as Nong Toom in Thailand) sets out to master the most masculine and lethal sport of Muay Thai (Thai boxing) to earn a living and to achieve his ultimate goal of total femininity. Touching, funny and packed with breathtaking Thai kickboxing sequences, Beautiful Boxer traces Nong Toom's childhood, teenage life as a travelling monk and gruelling days in boxing camps. Shot in 9 provinces across Thailand and in Tokyo, the film also features a series of explosive matches where Nong Toom knocks out most of his opponents in Thailand and Japan.
Directed and produced by Singapore-based, ethnic Thai director Ekachai Uekrongtham, the film stars Asanee Suwan, a real-life kickboxing champ as Nong Toom. The role earned him the 2004 Supannahongsa Award (Thailand's equivalent to the Oscar) for Best Actor. Beautiful Boxer also features compelling performances by Thailand's award-winning actor Sorapong Chatree in the role of Nong Toom's coach and former Miss Thailand Orn-Anong Panyawong as Nong Toom's mother.
Kyoko Inoue, one of Japan's top female wrestlers plays herself in the film. She has fought with Nong Toom in real life back in 1988. That historical match was reenacted for the film in a dramatic sequence shot at the Toyko Dome. Nearly all of Nong Toom's opponents in the film are also professional kickboxers in real life.
In late April 2007, Florence Ang, producer of "Solos", the first gay feature-length film and undoubtedly the most sexually explicit gay movie to be made in Singapore about the relationship between a junior college student and his male teacher, announced that it would be withdrawing from its world premiere on April 25 at the 2007 Singapore International Film Festival "to preserve the principle that films at the festival should be shown uncut". Censors had demanded 3 cuts to the 77-minute dialogueless film. The movie stars veteran actor Lim Yu-Beng as the teacher, co-director and screenplay writer Loo Zihan as the student and Goh Guat Kian as the latter's mother who suffers from depression. Also co-directed by Kan Lume, it bagged the Premio Nuovi Sguardi Award at the 2008 Torino GLBT Film Festival. It was never shown in Singapore.
An award-winning 25-minute short film by Singapore-born producer, director, editor and cinematographer, Madeleine Lim, which explores of race, sexuality and nationality. It was accepted at the 1997 Singapore International Film Festival but was banned by government censors just before it screened. The film premiered at the San Francisco International Lesbian and Gay Film Festival in June 1997. It remains banned in Singapore to this very day.
The Letter is a short film which generated some controversy upon its release on the Internet. Created in 2005 by the then 22-year-old director, Justin Kan, who wished only to be known as Sagara, the movie is based on the true story of an acquaintance of his in school, an openly gay senior student from junior college who committed suicide over unrequited love for a straight schoolmate. It was produced by Dex Tan.
The film was shot as part of the Canon Digital Film Festival, and Anderson Junior College (AJC) was kind enough to allow Sagara and his team to film on the school premises. Although the film didn't make it into the finals of the competition, Sagara and his team were pleased to receive a warm response during a screening at Mox Bar and Cafe.
A 19-minute short film completed in May 2008 by the then 24-year old director Boo Junfeng. It was partially sponsored by Fridae and based on the notorious arrests of 12 gay men in a police entrapment exercise in 1993 (see trailer:, Fridae interview:). The film had its world premiere at the 59th Berlin International Film Festival in February 2009 and was nominated for a Teddy Award - the official queer award at the festival. It premiered locally at the 22nd Singapore International Film Festival in April 2008.
However, just days before it was to have its world premiere on Saturday, 15 August 2009 at the 6th annual Singapore Short Cuts festival, it was withdrawn by the organisers - the National Museum and the Singapore Film Commission. The latter operates under the auspices of the Media Development Authority.
Women who Love Women
On Saturday, 7 July 2007, Singapore's first lesbian documentary, "Women who Love Women" premiered at Pelangi Pride Centre, Bianco, #04-01, 21 Tanjong Pagar Road at 4:30pm. The 65-minute film was produced by 33-year-old graduate student Ngiam Su-Lin, directed by Lim Mayling and features 3 Singaporean lesbians, Amanda Lee, Sabrina Renee Chong and Gea Swee Jean who share their coming out experiences, and their views on topics such as coming out and relationships. A question-and-answer session with the interviewees and filmmaker followed the screening. It was screened at the 2008 Singapore International Film Festival.
Lucky7, which premiered at the International Film Festival Rotterdam in early 2008, is an 82-minute, multiple-genre, multiple-language collaboration by 7 local directors, 4 of whom were gay - Sun Koh, K. Rajagopal, Boo Jun Feng, Ho Tzu Nyen, Tania Sng, Brian Gothong Tan and Chew Tze Chuan who each made 10- to 12-minute segments. Each director was only allowed to know the last minute of the preceding segment. It was screened, together with Women who Love Women, at the 2008 Singapore International Film Festival.
A short film by director Loo Zi Han based on the true story of a gay medical student on his way to a sex orgy who was caught in an anti-narcotic sting operation. It was partially funded by the proceeds from the Milk fundraiser organised by Fridae in Singapore in early 2009 as the filmmaker was unable to raise funds from conventional sources due to the content of the 20-minute film which touched on law enforcement issues.
Loo created a stir when, as a student at Nanyang Technological University, the media reported that he was ‘protesting’ when he said in his valedictory speech that his school had asked him to change the poster advertising Threshold, his final-year project. He told the media that the poster for the film had been deemed 'inappropriate' to be displayed during the convocation ceremony.
Just days before it was to have its world premiere on Saturday, 15 August 2009 at the 6th annual Singapore Short Cuts festival, it withdrawn by the organisers - the National Museum and the Singapore Film Commission. The latter operates under the auspices of the Media Development Authority.
At the inaugural Singapore Short Film Awards (SSFA) held at The Substation on 31 Jan 2010, the film won the Best Script award and was also nominated for Best Cinematography and Best Soundtrack.
Advertising itself as "the first contemporary Singaporean film to boldly portray female homosexuality," the film tells the story of a young Singaporean model, Alexia, and her female friend who leave for Kuala Lumpur to meet a casting agent. The two eventually find themselves falling in love after a number of pitfalls on the road. "Through the journey, Alexia grapples with what it means to be pan-Asian and lesbian," said Kan Lume who directed and wrote the screenplay. Kan expected his movie to be banned in Singapore for its lengthy, explicit sex scenes between two women.
On Friday, 4 December 2009, "The Anniversary", a short film directed by Royston Tan and written by Alfian Sa’at, premiered at the Love fundraising dinner organised by Action for AIDS (AfA). The themes of the film were gay relationships, sex, orgies and drugs, forming part of AfA's safe-sex education. It was rated R21 without cuts by the Media Development Authority.
- Main article: Purple Light
"Purple Light" is based on the true story of a young recruit who enters National Service without knowing what is ahead of him. Being physically weaker, Zipeng is often laughed at by his superiors and peers. Tasked upon by his superior to help train up his buddy, Ethan became Zipeng's closest buddy. Unexpected and unbeknownst to both, feelings begin to grow. Zipeng, afraid of being found out and the repercussions that this would engender, finds himself being caught in the struggle between being true to himself and what others may think of him. Ethan, a perennially happy and positive person, suddenly finds himself having to deal with the discovery of his nascent sexuality.
How will both boys eventually reconcile their dilemma?
"Purple Light" is a film that encourages homosexuals to come to terms with themselves. At the same time, it strives to let them know that they are not abnormal and they are not alone.
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Films with LGBT sub-plots
- Main article: Saint Jack
Saint Jack is a 1973 novel by Paul Theroux and a 1979 eponymous film. It tells the life of Jack Flowers, a pimp in Singapore. Feeling hopeless and undervalued, Jack tries to make money by setting up his own bordello, and clashes with Chinese triad members in the process. Ben Gazzara stars as Flowers in the film, directed by Peter Bogdanovich.
Saint Jack was shot entirely on location in various places in Singapore in May and June of 1978. As of 2006, it is the only Hollywood film to have been shot on location in Singapore. Places featured in the film include the former Empress Place hawker centre (now demolished) and Bugis Street. The local authorities knew about the book, hence the foreign production crew did not tell them that they were adapting it, fearing that they would not be permitted to shoot the film. Instead, they created a fake synopsis for a film called "Jack Of Hearts", and most of the Singaporeans involved in the production believed this was what they were making.
The film was banned in Singapore and Malaysia on 17 January 1980. Singapore banned it "largely due to concerns that there would be excessive edits required to the scenes of nudity and some coarse language before it could be shown to a general audience," and lifted the ban only in March 2006. It is now an M18-rated film.
Saint Jack was re-released in North America on DVD in 2001.
A book which details the development, production and aftermath of the Saint Jack film, entitled Kinda Hot: The Making of Saint Jack in Singapore, was published by Marshall Cavendish in March 2006 and is written by Ben Slater.
In an interview with The New York Times on 15 March 2006, Bogdanovich said, "Saint Jack and They All Laughed were two of my best films but never received the kind of distribution they should have." A film made in 1979 by American director Peter Bogdanovich.
The story was set against Singapore as a US military-approved rest and relaxation (R&R) destination for US troops in Vietnam circa the early 1970s. The movie was banned locally because it portrayed Singapore in bad light, namely showing that (a) the sex trade was flourishing, (b) it was semi-officially sanctioned and (c) Singapore supported the losing side in the Vietnam War.
Much of it was about how pimps like the protagonist, American Jack Flowers (played by actor Ben Gazzara) supplied girls to the GIs barracked at Shelford Road, a fact corroborated by university students at the Bukit Timah campus.
But a sub-plot featured a conservative US senator who prefered gay sex. A notable segment in the film showed the senator (played by one-time James Bond actor George Lazenby) picking up a late-teenager named Tony along Orchard Road and bringing him to his hotel room for sex. Male stripping and a shower scene were shown.
The film recorded for posterity that there were rent boys plying their trade along Orchard Road during those days. This could have been related to presence of Le Bistro along Scotts Road and Pebbles Bar at the Hotel Singapura Continental. The movie was allowed to be shown just once during a Singapore Film Festival and is still on the banned list. The Singaporean actor, Edward Tan, who played Tony the rentboy created a first in Singapore gay film history. However, according to Bogdanovich, all the Singaporeans who were given screen roles were not really 'actors' at all, but simply recruited from a casting call. (External link:)
Michael Chiang's stage-to-screen adaptation of the trials and tribulations of a motley bunch of army recruits featured an effeminate Eurasian man whose main aim in life was to become a housewife in Ang Mo Kio. However, his platoon mates were flabbergasted when he breezed through the obstacle course with more speed and sang-froid than any of them.
One of Singaporean director Glen Goei's early local productions which was distributed in America under another the title of "That's the way I like it". It also dealt with transgender themes, alongside the movie's main light-hearted romance, as Hock's elder brother reveals his desire for a sex-change operation to his unreceptive traditionalist Chinese family.
The Singapore Government banned 27-year-old's Royston Tan's visually explosive and shocking 2003 film. Part social realism, part documentary and part cinematic adventurism, 15 follows a group of teenage outsiders grappling with violence, drug running, prostitution, piercings and thoughts of suicide. Quietly, amidst the madness, they find moments of tenderness in each other's arms. Tan looks to MTV and popular culture for his technique, mixing Chinese graphics with short colourful scenes, voiceovers and rewinds. Attention grabbing, over stimulating, this is not however strictly a gay film. Tan's weaving of tenderness and sexuality is homoerotic, providing a window onto the homosexual bonding that takes place in adolescence - the first needs and touches before sexuality becomes more fixed. The result is an astonishing if at times gut-wrenching experience.
Acclaimed local director Eric Khoo's 2005 production was the first major homegrown motion picture to feature scenes of female coupling in the form of 2 touchy-feely teenage schoolgirls (played by waifish actresses Ezann Lee and Samantha Tan), who fall in love as quickly as they fall out of it. They tenderly stroke each other's arm and face, cuddle under the sheets and in cinema halls, and share an intense 10-second kiss on the mouth. Although Be With Me is rated M18 with no cuts, the authorities were not exactly throwing caution to the wind. The movie's original poster featuring both girls lying on some steps and locked in an embrace in a scene from the movie was been banned in Singapore and replaced with an image of a man necking with Samantha Tan. According to a spokesman of Warner Brothers, which distributed the movie locally, the Media Development Authority (MDA) stated that the original was 'not suitable as a PG poster' because the graphics 'implied content of a homosexual nature'.
The Blue Mansion
On 10 October 2009, openly gay director Glen Goei's quirky, murder mystery film, "The Blue Mansion" held its world premiere at the Pusan International Film Festival in South Korea. Goei, of "Forever Fever" fame, completed his labour of love after an 11-year hiatus from filmmaking.
A sub-plot in the movie revolved around one of the sons (played by Lim Kay Siu) of the rich, murdered patriarch. The son was gay and at his father's funeral, met one of his former lovers, played by the director Goei himself, who had come to pay his respects. They reminisce about old times. In another scene, the son's gay porn magazines hidden in a drawer were discovered by a detectives investigating the patriarch's murder.
Films with cross-dressing actors
Straight comedian Jack Neo's large screen production of his frequent television drag spoofs of a doddering, bumbling but lovable old lady and her exploits.
This article was written by Roy Tan.